Paulette, Jean-Christophe's mother, talks too much; after ten years of struggle Jean-Christophe notices that Paulette talks less, but one night he sees his mother's dentures in a tooth glass. Kind friends explain to him that Paulette has passed from the oral stage to the sadistic oral stage. The mother shows her teeth, I love you, I crunch you, it's sure death...

A young boy has to deal with increasing family and school pressures as his mother's disease worsens.

The tasty story of a retired teacher who decides to make his former students pay for years of heckling and humiliation.

The tasty story of a retired teacher who decides to make his former students pay for years of heckling and humiliation.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

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A 4th short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.

A 4th short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.

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